The Impossible: About Love and Tsunami
THE IMPOSSIBLE photographing a devastating tsunami bullion Thailand. Armed with the true story of Maria Belon experienced while on vacation in Thailand, Juan Antonio Bayona tried to make the visualization of scenarios arable heartbreaking Sergio G. Sánchez.
Henry (Ewan McGregor) invites Maria (Naomi Watts) and her three children on holiday in Thailand. Expected enjoyable holiday turned into a nightmare when one morning the tsunami hit the hotel where they were staying. Making this small family in disarray. Then, can they come together again despite very little chance?
Having succeeded with the drama thriller titled THE Orphanage, Bayona again gush drama really break sensitive side. Yes, THE IMPOSSIBLE is a tearjerker that can certainly make your tears fall without being asked.
Although some elements of the case with a dramatization that feels excessive, THE IMPOSSIBLE movie remains compelling. We are invited to feel the game down heart character played so brilliantly by McGregor, Watts and three little player that can best demonstrate their Performance.
Salute to the special effects team were absolutely brilliant making the tsunami tragedy seem real and so heartbreaking. Óscar Faura the cinematographer, Fernando Velázquez-wrenching for good music and cold hands Bayona were able to lull feeling blue. Until so leave my theater seats have been made aware of this heart cry.
Early reviews for the film were positive, with much praise going to the performances of Watts, McGregor and newcomer Tom Holland. Review aggregator Rotten Tomatoes reports that 80% of critics have given the film a positive review based on 139 reviews, with an average rating of 7.3/10. It currently has an 82% rating with the audience. At Metacritic, which assigns a weighted mean rating out of 100 to reviews from mainstream critics, the film currently holds an average score of 74, based on 41 reviews, which indicates “generally favorable reviews.”
This entry was posted on Tuesday, January 8th, 2013 at 11:54 pm and is filed under film. You can follow any responses to this entry through the RSS 2.0 feed. Responses are currently closed, but you can trackback from your own site.